
Cinematic Titanic is coming to the Keswick Theatre New Years Eve-Eve (Get tickets here!), and in preparation for that I got to chat with the man himself behind both Cinematic Titanic and Mystery Science Theater 3000, Joel Hodgson.
The Godfather of Movie Riffing was nice enough to impart on me not only some of his philosophy on riffing, but the origins of MST3K and what goes into putting together a show like Cinematic Titanic.
I hope you enjoy this behind the scenes conversation about probably one of the greatest shows in all of geekdom .
For the people who may not know, what is Cinematic Titanic and how did it come about?
Well to know what Cinematic Titanic is you first have to know what Mystery Science Theater 3000 is. I actually have to explain what MST3K is a lot. Whenever I meet people and they ask what I do, I never presume they know, because it was a cult show.
I basically say, it’s the show where they run bad movies and they super impose little silhouettes at the bottom of the screen; who say stuff during the movie. Then if they are familiar with it they usually brighten up a bit or they just matter of factly say, “no I have never seen it.”
Cinematic Titanic is the original cast of MST3K and we have our jokes all setup and we riff on a movie based on the success of MST3K. That is what I usually say at that point, so the people who haven’t heard of it at least know it’s successful.
Is there a reason you tend to choose more obscure films to riff on than some of your contemporaries?
There is a couple of reasons, the first being cost.
People like Rifftrax are doing it and they just have to put their voices in. I have seen other people do that too where you don’t know who they are, you just hear talking. I guess you could do that, but to me that is only part of movie riffing. The other part is your physical presence; what you’re doing when you’re riffing.
I think people do that, it’s my impression that they think it’s a marketing thing. That if you have seen this movie you might want to see someone riff on it.
So we don’t really do that. I see MST3K and Cinematic Titanic working another side of the street.
To me what I think people like about MST3K and Cinematic Titanic is that we show movies they haven’t seen before. So it’s kind of like a new place, which is part of the value and mystique in it. So we are a lot like your tour guides in this place.
Take something like Manos: The Hands of Fate, when I watch that show it’s not even my favorite riff. But because the movie is so strange and unusual, it just has this bizarre attraction for people.
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