
“Up” Pixar’s newest masterpiece comes out tomorrow on DVD and Blu-ray and if you haven’t seen this film I highly suggest you check it out, or since it is Pixar – just buy it already. You do know: anything put out buy Pixar should have reserved shelf space in any self-respecting geek’s household, after all this is the company that gave us one the of the greatest superhero films of all-time The Incredibles.
“Up” if your not familiar with the story, is the tale of a grumpy old man named Carl Fredricksen and an overeager Wilderness Explorer named Russell who fly to South America in a floating house suspended from helium balloons. Oh yeah, and there dogs that talk with the aid of high tech collars in the film as well. Up to me seemed like one of the more original Pixar films they have done, and one you simply have to see to believe how great it is. I can’t believe I almost passed this by originally when I read the synopsis, but after watching it I wondered how I could have ever doubted them after-all most studios would kill for Pixar’s track record of releases.
I recently had the opportunity to sit in on a junket with Director and Writer, Pete Docter(Toy Story 1+2, Monsters Inc. and Wall-E) and Co-Director and Writer, Bob Peterson(Finding Nemo and Ratatouille) and get some answers to some of my burning questions about “Up” in anticipation for tomorrow’s DVD and Blu-ray release of the film. Warning spoilers are after the jump.
“Up” became the first animated film to open the Cannes Film Festival. Do you believe animated features are becoming accepted as a more serious artistic platform?
Pete Docter: We were very honored to be the first animated film to open the prestigious Cannes Film Festival. Walking around there, I kept picturing Hitchcock, Coppola, Truffaut; these big time directors… and US?!?! It seemed like some sort of mistake! But we do look at our work as filmmaking, just like any other film. And it’s nice to see the world looking at it that way as well.
What inspired the story of “Up”?
Bob Peterson: Various things, including the lives of our own grandparents. For example, I had a grandfather who always wanted to go west from Ohio, but never got the chance. I had the foresight to videotape my grandparents’ home after they had passed 20 years ago. There are the side-by-side chairs – one soft and one hard, which absolutely paralleled who they were as people. Many of our life experiences with our wives and children were put into play in the script, and of course living with our dogs gave us great insight into dog behavior!
As far as the animation style of “Up” goes, instead of going for “as close to realism as possible” kind of visuals, “Up” has an almost caricatured style, especially with the facial features highlighting big points, rather than looking like a human head. What influenced the style of “Up,” and why did you decide to go this route?
Pete Docter: The story called for Carl to float his house into the air buoyed by balloons. For that to be believable, we felt it would be necessary to caricature the world — and therefore the characters as well. I think if we made it look photo-real, you wouldn’t believe it as readily. We work in animation, so we can do things that can’t be done in any other medium. So the idea of simplifying and caricature is always exciting to me.
(more…)